SOUND

The purpose of a good soundscape in a film is to immerse you and heighten the experience, but go unnoticed. While not an easy task to achieve, it is essential and starts with high quality production sound. RGL Productions is your one-stop shop for all of your sound production needs, from location sound recording to post-audio editing.

I specialize in all areas of production sound including mic’ing talent, boom operating, timecode application and sound recording and mixing. I also specialize in post-audio editing such as dialogue clean-up and leveling, ADR recording, foley recording and sound design, and mixing and mastering in 5.1 surround sound. Whatever your film sound needs are, please reach out for a free consultation!

Sound Services Include:

  • Location Sound

  • Foley Sound

  • Post Audio Mixing/Mastering

  • Narrative Films

  • Documentary

  • Short films

  • TV and Commercials

  • Gear Rental

On location of “Taken in Montana”

 

LOCATION SOUND

Location Sound Mixer/Boom Operator

 
 

Sound Equipment and package pricing:

Day rates vary depending on the project. Packaged kit fee discounts may be applicable. Contact me through the “contacts” page for a free consultation.

  • Zoom F8n Pro Mixer ($150 per day)

  • Sound Devices 633 Mixer ($150 per day)

  • MKH 50 mic w/ Boom ($75 per day)

  • DPA 4017B mic w/Boom ($75 per day)

  • Wireless Boom Transmitter and Receiver ($50 per day)

  • 2x Shure Wireless Digital ADX1 Transmitters/ADX5D Reciever ($50 per day)

  • 6x Wireless Sennheiser G4’s ($50 each, per day)

  • 6x Sennheiser MKE2 Gold lav mics (included in Wireless Lavalier package)

  • 2x Sanken Cos-11d (included in Wireless Lavalier package)

  • Tentacle Timecode System ($25 each, per day)

  • Denecke Timecode Slate ($50 per day)

  • 5x IFB Comtek Receiver and Transmitter ($20 each, per day)

Photography courtesy of Laura Lovo and Ryan Graham-Laughlin.